Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Jett Galindo
Tom GriffinI had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Emma Butt
Freddy Vinehill-CliffeEmma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
James Wichall
Tom GriffinNUGEN Audio loudness plug-ins prove essential for re-recording mixer James Wichall
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
Audrey Martinovich
Freddy Vinehill-CliffeAudrey spoke to us recently about her journey from soprano opera singer to recording engineer.
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Nick Fry
Freddy Vinehill-CliffeBuilding loudness into the mix with BAFTA winner Nick Fry, original article first appeared in TVB Europe.
Clint Murphy
Tom GriffinDolby Atmos-enabled CMP Studio tackles Immersive mixing with NUGEN Audio
Hendrik Simoens
Freddy Vinehill-CliffeBelgian broadcaster Hendrik Simoens discusses loudness solutions and the importance of accurate measurements in the field.
Husky Höskulds
Freddy Vinehill-CliffeHusky Höskulds discusses flexible workflows using NUGEN plug-ins.
Mike Dean
Tom GriffinRenowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Tre Nagella
Freddy Vinehill-CliffeNUGEN Audio's elite plug-ins deliver deeper control for producer/mixer Tre Nagella
Joe Barnett
Freddy Vinehill-CliffeRe-recording mixer Joe Barnett relies on Halo Upmix for 5.1, 7.1 and Atmos projects.
Jonathan Garcia
Tom GriffinMike Felton
Freddy Vinehill-CliffeBAFTA-nominated engineer Mike Felton talks about how loudness regulations have affected his work, original article first appeared in TVB Europe.
Mark Henry Phillips
Freddy Vinehill-CliffeMark Henry Phillips explains how VisLM and ISL both fit into his workflow.
Nartan Savona
Freddy Vinehill-CliffeThe owner/operator of Nartan Records utilizes NUGEN Audio software to create pristine audio and meet all streaming standards
Tom Marks
Freddy Vinehill-CliffeTom Marks chats about technological shifts over the course of his career, and how these have led to him using Halo Upmix for his work.
Immersive Audio Solutions
Freddy Vinehill-CliffeIAS finds the right mix with Paragon and Halo Upmix.
Erinn E. Thorp
Freddy Vinehill-CliffeErinn E. Thorp discusses simplifying loudness compliance with NUGEN Audio plug-ins, original article first appeared in TV Tech.
Nahuel Bronzini
Tom GriffinBrand’s Various Solutions Enhance Creativity and Set the Tone for GRAMMY® Award-winning Producer, Arranger and Engineer
Jacques Boulanger
Freddy Vinehill-CliffeJacques Boulanger, Emmy Award-winning sound engineer, describes the challenge of upmixing Natalie Merchant's latest film project.
Ben Feggans
Freddy Vinehill-CliffeBen Feggans talks us through using VisLM for effective multilingual loudness management, original article first appeared in AP Broadcast.
Vahagn Stepanyan
Freddy Vinehill-CliffeVahagn Stepanyan widens his mix with NUGEN: Stereoizer, Monofilter and MasterCheck plug-ins deliver complete optimization for today’s delivery services.
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Rich Aitken
Tom GriffinNUGEN Audio proves essential to Rich Aitken's TV, film & game sound mixing
Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Steven Fox
Freddy Vinehill-CliffeEngineer Steven Fox explains how LM-Correct helps him hit loudness targets every time, original article first appeared in C&T Asia.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Angus Davidson
Tom GriffinParagon is a great reverb for everything, but I found it particularly helpful for small spaces.
Ali Stone
Tom GriffinParagon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Simon Hill
Freddy Vinehill-CliffeSimon Hill utilizes NUGEN loudness and upmix plug-ins for TV and film projects
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Dana James Presson
Tom GriffinComposer/Producer/Sound Designer Dana James Presson utilizes NUGEN's VisLM, ISL and Halo Upmix solutions
Daniel Jones
Freddy Vinehill-CliffeDaniel Jones of Vaudeville Post talks staying on spec with NUGEN Audio.
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Ramin Djawadi
Tom GriffinNUGEN Audio's Halo Upmix Plug-in sparks creativity and proves essential to delivering quality sound throughout 'Uncharted' demo process
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Peter Cole
Freddy Vinehill-CliffeWe chat with Emmy Award-winning re-recording mixer Peter Cole about integrating loudness targets into his workflow.
Armand Klenk
Freddy Vinehill-CliffeArmand Klenk on why he chooses to include NUGEN Audio's loudness tools in his curriculum, original article first appeared in 4rfv Magazine.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Alvin Wee
Freddy Vinehill-CliffeNUGEN delivers deeper workflow control for mix engineer Alvin Wee.
Copyright Ⓒ 2023 NUGEN Audio
By clicking "Accept All Cookies" you agree to the storage of further first- and third-party cookies to analyse site usage and assist in our marketing efforts.
You can choose to allow optional cookies via "Cookie Settings". For more information see the NUGEN Audio privacy policy.