George Seara
Freddy Vinehill-CliffeJuno winning mix engineer George Seara talks to us about empowering artists, creative workflows and why he chooses NUGEN Audio.
Sreejesh Nair
Freddy Vinehill-CliffeRenowned Bollywood sound engineer Sreejesh Nair chooses Halo Upmix to produce a powerfully immersive upmix on a broad range of cinema projects.
Bob Pepek
Tom GriffinNUGEN Audio helps 3 Days Rising Horror/Thriller make spines tingle
Friedemann Tischmeyer
Freddy Vinehill-CliffeRenowned mastering engineer Friedemann Tischmeyer talks mastering for today's distribution platforms and preserving dynamics with MasterCheck.
Alan Silverman
Freddy Vinehill-CliffeMastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Richard Addis
Freddy Vinehill-CliffeRichard Addis of HALO Post talks re-inventing audio loudness monitoring, original article first appeared in The Broadcast Bridge.
Nick Squillante
Tom GriffinNick “Squids” Squillante taps NUGEN Audio for Dolby Atmos mixes.
Rik Simpson
Tom GriffinRIK SIMPSON TURNS TO NUGEN AUDIO FOR COLDPLAY’S “MUSIC OF THE SPHERES: LIVE IN BUENOS AIRES”
Jonathan Wales
Tom GriffinNUGEN Audio delivers unrestricted creativity and control for re-recording mixer Jonathan Wales.
Jonathan Wales
Freddy Vinehill-CliffeNUGEN Audio's Halo Upmix delivers scary good results for Netflix's The Haunting of Hill House.
Eva Reistad
Tom GriffinNUGEN Audio Q&A with Globetrotting Mixing Engineer
Michael Phillips Keeley
Freddy Vinehill-CliffeMichael Phillips Keeley utilized NUGEN plug-ins to perfect the sound for SpaceX documentary
Howie Weinberg
Freddy Vinehill-CliffeWe catch up with Howie Weinberg in his Los Angeles studio to discuss mastering for the internet age with MasterCheck Pro.
Peter McCabe
Freddy Vinehill-CliffeVeteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
Jim Schultz & Michael Minkler
Freddy Vinehill-CliffeNUGEN fine-tunes mix for Tarantino's Once Upon A Time In Hollywood
Christoph Thompson
Freddy Vinehill-CliffeBall State University calls on NUGEN Audio's Loudness Toolkit for special Netflix research project
David Bottrill & Ryan McCambridge
Tom GriffinProducers deem NUGEN's plug-ins essential tools for Mastodon's Hushed and Grim
Soya Soo
Tom GriffinUsing Stereoizer helps me make the mix sound wider so that the listener feels that same sense of space and dimension
Justin Fraser
Freddy Vinehill-CliffeJustin Fraser discusses loudness, and how he has incorporated it into his curriculum, original article first appeared in TV Tech magazine.
James Wichall
Tom GriffinNUGEN Audio loudness plug-ins prove essential for re-recording mixer James Wichall
Alexandra Fehrman
Tom GriffinPost-Production software provides flexibility, reliability for Alexandra Fehrman.
Lucy Mitchell
Freddy Vinehill-CliffeWe caught up with Lucy to chat about the shift to working freelance, and a few of her favourite NUGEN Audio plug-ins.
Simon Pressey
Freddy Vinehill-CliffeWe hear from Crytek's Simon Pressey about delivering a high-quality gaming experience using NUGEN Audio's loudness tools.
Thom Egerton
Freddy Vinehill-CliffeWe chatted with Thom about God Damn's new self-produced album, and his favourite NUGEN plug-ins.
Vaudeville Sound Group
Tom GriffinSound design and mix house deploys NUGEN Audio for immersive sound projects and other applications since its inception.
Mike Wyeld
Freddy Vinehill-CliffeMike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Veronica Ferraro
Freddy Vinehill-CliffeOur Q&A with an acclaimed mixing engineer, and CEO at French Audio Village.
Shoreline Studios
Freddy Vinehill-CliffeGary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Chris Rudall
Tom GriffinIn Demand Music takes up high-quality, compliant audio up a notch with NUGEN Audio
Alexandra Fehrman
Freddy Vinehill-CliffeA chat with Alexandra about how she got started in the industry, and how NUGEN fits into her workflow.
Bill Evans
Freddy Vinehill-CliffeBill Evans - executive producer, engineer, and manager for progressive rock super group Flying Colors - has adopted Halo Upmix.
Metropolis Studio
Tom GriffinMetropolis Studio taps NUGEN Audio for immersive sound mixes
Mr Mig & Mike Rizzo
Freddy Vinehill-CliffeProduction duo Mr Mig & Mike Rizzo of Global Groove Entertainment talk to us about getting the bass to cut through a mix.
Vahagn Stepanyan
Freddy Vinehill-CliffeVahagn Stepanyan widens his mix with NUGEN: Stereoizer, Monofilter and MasterCheck plug-ins deliver complete optimization for today’s delivery services.
Ruy Garcia
Freddy Vinehill-CliffeAward-winning Re-Recording Mixer, Sound Editor and Sound Designer Ruy Garcia uses Halo Upmix to preserve the character of the original audio
Rafa Sardina
Freddy Vinehill-CliffeThirteen-time GRAMMY and Latin GRAMMY-winner selects NUGEN Audio's intuitive plug-ins for superior audio and control.
Ayako Yamauchi
Freddy Vinehill-CliffeAyako Yamauchi calls on NUGEN Post for gaming and streaming projects
Robert Nation
Freddy Vinehill-CliffePreparing for the new world of loudness-normalization with audio veteran Robert Nation, NUGEN Audio tools have smoothed the way.
Jan ‘Stan’ Kybert
Freddy Vinehill-CliffeJan 'Stan' Kybert talks mixing with the left and right brain, original article first appeared in Audio Media Magazine.
Glen Schricker
Tom GriffinNUGEN Audio helps bring “Sex And The City” remaster to life
Jeff Mullen
Freddy Vinehill-CliffeStress-free upmixing with Jeff Mullen of Sonichead, original article first appeared in Pro Sound News.
Lee Smith
Tom GriffinLee Smith of Greenmount Studios taps NUGEN's Paragon as his go-to room reverb.
Jorel Corpus
Freddy Vinehill-CliffeNUGEN Producer bundle and Loudness Toolkit are a mainstay in mix engineer Jorel Corpus' toolbox.
Scott Gershin
Freddy Vinehill-CliffeWe discuss compliance and transparency with BAFTA nominated sound editor and mixer Scott Gershin.
Sara Carter
Freddy Vinehill-CliffeWe heard all about what first sparked Sara's interest in the world of audio, as well as her thoughts on NUGEN.
Michael Phillips Keeley
Tom GriffinRe-recording mixer Michael Phillips Keeley relies on Halo Upmix for Dynamic Sound in the Planetarium’s latest immersive experience.
Richard Aitken
Freddy Vinehill-CliffeRichard Aitken talks loudness for games and adapting to changes in the industry.
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