Loudness standards
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Loudness Summit, Osaka
NUGEN Audio Japan

Hideo Irimajiri introducing the ARIB loudness standard TR-B32, based upon 1770-02 using VisLM-H, Osaka, Japan




Loudness Seminar, Japan
NUGEN Audio Japan

NUGEN Audio metering used to demonstrate the benefits of Real-time Loudness Analysis in Japan





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Loudness Standards, recommendations and legislation - overview

With the signing of the CALM act (Commercial Advertisement Loudness Mitigation), it became law in the USA to ensure that the loudness of advertisments is in keeping with general program content. It is a legal requirement for broadcasters to measure loudness. Many other countries have similar legislation already in place or in process.

Understanding the implications and requirements for the audio producer and broadcaster can at first seem rather confusing, with many individual institutions making new recommendations until it is understood that almost all of these recomendations are based upon the same standard ITU-R BS. 1770/1.

ITU-R BS. 1770/1 is a recommendation that defines a method for the calculation of 'loudness', and is the basis for most regional localisations of loudness measurement including those in America (ATSC), Europe (EBU), Japan (ARIB) and many others (Brazil, Australia etc.). VisLM uses the ITU-R BS. 1770/1 standard.

ITU-R BS. 1770-2 Revised to include the relative gating methodology of EBU R128.

ITU-R BS. 1770-3 represents the current version of the ITU standard. This revision updates the definition of the True-peak measurement. NUGEN Audio loudness products meet this specification.

ATSC A/85 (Advanced Television Systems Committee) is the North American recommendation referred to in the CALM act. and uses the ITU-R BS. 1770 basis of measurement.
 
EBU R128 (European broadcasting union) is the European recommendation, which takes the ITU R BS. 1770/1 measurement and adds in a complex gating system to discount low level audio under certain situations. VisLM is also capable of operating in 'EBU mode'. A standard ITU-R BS. 1770/1 meter may not necessarily have this option. EBU R128 was updated in September 2011, adopting the G10 gate of ITU-R BS. 1770-2.

OP-59 (Australia) Based on ITU R BS 1770-3, using a target loudness of -24 LKFS.

Other specific national localisations generally require one of the above methods of measurement as a basis for loudness measurement and control.
 
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Delivery requirements

Delivery requirements of various organisations and companies vary greatly, although all require measurement of loudness to ITU/ATSC/EBU standards.

LKFS and LUFS. LKFS is the unit of measurement when using ITU-R BS. 1770/1 in it's original form. LUFS is the unit of measurement when using the EBU R128 measurement.

Many delivery documents simply require the basic criteria as laid out in the chosen recommendation directly (eg. -24LKFS integrated loudness or -23 LUFS integrated loudness). In addition to this, some specify methods of choosing typical 'anchor' audio sections for measurement, maximum short-term loudness levels, preferred loudness ranges (LRA) etc. or require slightly more conservative integrated loudness values.
 
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Calibration and test tones

Whilst VisLM needs no specific calibration or set-up when used with-in a DAW , in situations where external audio paths are used to transfer audio to the host machine, it can be useful to check that the signal path is transmitting the data without accidental filtering or attenuation.

Both the ITU and EBU provide test tone specifications for checking meter compliance, calibration and set-up and these are listed below.
 
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ITU-R BS. 1770/1 Test Tone
If a 0 dB FS 1 kHz sine wave is input to the left, centre, or right channel input,
the indicated loudness will equal –3.01 LKFS
 
 
EBU Tech Doc 3341 (EBU R128 meter)
Test Case Test signal Expected response and accepted tolerances
1 Stereo sine wave, 1000 Hz, -23.0 dBFS (per-channel peak level); signal applied in phase to both channels simultaneous; 20 s duration M, S, I = -23.0 ±0.1 LUFS M, S, I = 0.0 ±0.1 LU
2 As #1 at -33.0 dBFS M, S, I = -33.0 ±0.1 LUFS M, S, I = -10.0 ±0.1 LU
3 As #1, preceded by 20 s of -40 dBFS stereo sine wave, and followed by 20 s of -40 dBFS stereo sine wave I = -23.0 ±0.1 LUFS I = 0.0 ±0.1 LU
4 As #3, preceded by 20 s of -75 dBFS stereo sine wave, and followed by 20 s of -75 dBFS stereo sine wave I = -23.0 ±0.1 LUFS I = 0.0 ±0.1 LU
5 As #3, but with the levels of the 3 tones at -26 dBFS, -20 dBFS and -26 dBFS, respectively I = -23.0 ±0.1 LUFS I = 0.0 ±0.1 LU
6 5.0 channel sine wave, 1000 Hz, 20 s duration, with per-channel peak levels as follows:
-28.0 dBFS in L and R -24.0 dBFS in C -30.0 dBFS in Ls and Rs
I = -23.0 ±0.1 LUFS I = 0.0 ±0.1 LU
 
  
VisLM Loudness Meter  Broadcast | Film | Mastering | Multi-Media
 
VisLM-H VisLM with history view (H) and data logging option VisLM-H
VisLM-C VisLM compact (C) VisLM-C
LMBLoudness Management Batch processorLMB
  
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System Requirements

Monofilter is available in RTAS, VST and AU formats for PC and Mac (universal binary)

Mac OSX 10.4.x, G4 1.4 GHz or Intel® Core™ Duo 1.66 GHz, 512 MB RAM

Windows XP or Windows Vista, Pentium 1.4 GHz, 512 MB RAM
 

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